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"Kimberly Dawn and I have been good friends for several years! She has always been so kind and supportive of my work as an actor and filmmaker. As Kim became interested in the craft of acting, I started noticing her work and how professional she comes across both promoting herself and others. After Kim worked with me as Featured Background on The Kill Switch and Partners, I felt it was time to see her in action as a Principal Character. When I started writing A Father's Love, something about the way she speaks and the way she looks became my vision for 'Nurse Millie'. In shooting her scenes on Sunday, November 8, 2015, Kimberly showed me she can hold her own. She is very natural, organic, and soft spoken. She definitely has a 'Niche'. I was so proud of her on this film and will definitely consider her for other projects I write in my future. She is a very sweet, compassionate, and caring woman. 'A GREAT FRIEND and HARD WORKER!'"
"The biggest thing I found at Cannes Film Festival is that every single teeny tiny moment is potentially a big moment of networking."
Kira never ceases to amaze me with her enthusiasm and ability to be at the right place at the right time. Her next project, Big Little Filmmaker (due to launch on the 1st of November), is a website and company devoted to young filmmakers and film festivals for students as well as job opportunities for young filmmaking talent and crews.
We wish her the best with her new venture and hope she still has the time to continue making the creative films she's best known for.
Read our latest interview with Kira and if you're between the ages of 12 and 22 go to the link below and add you name and email address to be notified of the launch and other activities.
"My ASCAP royalty checks went from a lot to almost nothing."
Buskin Blues is a feature length movie about street performing in Asheville, North Carolina. A look into the lives and performances of those that come to play there.
Have you ever wanted to record or use a song but didn't know who to contact for the rights to distribute your copy on CD, stream it, or use it in a film? Not an easy thing to do.
The first step it to check with a mechanical licensing agency such as the Harry Fox Agency. A mechanical license is what you will need to distribute a copy of your song on a CD or stream. A syncronization license will be needed for TV or film. You may also need additional rights from the publisher.
Micah Troublefield loves filmmaking. Writing, filming, directing, editing... whatever is thrown at him. But, his main passion is storytelling.
A partner in the Strawhouse Pictures gang of four along with Brian Oxendine, Anil Dhokai, and Chris Gervais. They have the ability and sensibility to make quality movies and that's just what they've been doing.
One of those movies is a short film called The Gospel of Hip Bones premiering this week at the Indie Grits Film Festival in Columbia, South Carolina. Starring Erika Chase, Ernest Bryant Hinnant, Benjamin Caswell, Patrick G. Keenan, and Janice Mitchell Wyatt. Co-written and directed by Micah and Chris Gervais it is a story about a couple of Mormon young men like the ones on bicycles with white shirts and black ties you see going door to door in your neighborhood. More importantly it is a behind the scenes look at these teenagers and some of the normal distractions of growing up. Such as discovering the wonders of young girls.
Here's what Anil Dhokai, a friend since high school and accomplished director/cinematographer, had to say about Micah. "Micah is a good friend and long time collaborator. His films are some are some of my favorite projects to come out of Stawhouse pictures. The humor and style of his stories reflect shows like Freaks and Geeks as well as early John Hughes' movies."
Below is a conversation I had with Micah last year.
The Kickstarter to raise funds for Tree Hugger is nearing it's end with one more day to go. The goal is about halfway met but the funds will only be available if fully funded. Kira is very generous with her time whether it is exposing new talent in her cast and crew or calling attention to social issues in the films she creates.
"The film takes place on a world where there is no longer any life - just an endless sea of graves - and a personification of Death has grown terribly bored without any more life to take. When she (yes, Death is a "she" in the film's world) meets a hapless steam-powered Robot who has been secretly sustaining an underground greenhouse for centuries, an unlikely friendship emerges between them - but at a severe cost..." - Alex Thompson